Residual Forms, 2026, Cyanotype on cotton linen and card, 42 x 59.4 cm

This piece captures traces of objects that are no longer present. Using dried flowers, plant matter, and buttons, the works record silhouettes formed through direct contact with light.

These prints function as physical evidence of presence. The materials used, already detached from their original life, are fixed permanently through exposure, creating a tension between what fades and what is held in place.

The inclusion of fabric introduces a domestic context, where natural forms are arranged, pressed, and contained. This act of positioning and fixing suggests a quiet form of control, where organic matter is ordered and preserved.